JoiRae Textiles – Website of Textile Artist Jorie Johnson

Herding Wool, Focus On Felt

Switzerland: Róng Design Library

Thrilled to receive a copy of the amazing new publication “Herding Wool, Focus On Felt”. I had the pleasure of writing answers to interview questions […]

Artist Collaboration EXPO Catalogue

JAPAN, Osaka:

In partnership with Events at EXPO 2025, a stunning catalogue of the 11-person “Artist Collaboration EXPO” exhibition is available. The show includes a range of

Textile Miniature Art Exhibition Catalogues Volumes 1-9

JAPAN, Tokyo & Various Venues:

2010–2025: The complete set of nine exhibition catalogues.

JAPAN:Osaka EXPO2025

JAPAN, Osaka: EXPO Exhibition Center WASSE NORTH
Jul 2 (Wed) - Jul 6 (Sun), 2025

WELCOME to the Osaka EXPO 2025. Jorie is pleased to be exhibiting works in “日米中 Artist EXPO Exhibition“. Swing by the west side entrance of

Art OHARA International Exhibition 2025

JAPAN, Ohara: Ohara Cultural Center & AIR Ohara Gallery (Sanzenin-do)
Jun 6 (Fri) - Jun 22 (Sun), 2025

Art OHARA International Exhibition – A global artistic exchange in Kyoto, connecting Ohara, with artists from around the world. Art OHARA 2025 will open June

百花百希 9回:100 Flowers 100 Hopes, 9th edition

JAPAN: Tokyo, Aoyama : Gallery5610
Jun 6 (Fri) - Jun 14 (Sat), 2025

A double hitter group show of 100 artists’ fine art textiles opened in Kyoto and now travels to the Tokyo Aoyama area on June 6th

Virtual Felting 🐑 Sessions: Fine Art Felt Works with Jorie Johnson

Online Format
International: CorNit Felt Studio
Apr 4 (Fri) - Apr 15 (Tue), 2025

In the summer of 2024, Jorie spent time in and around Budapest, a city she has always loved. In cooperation with Corinna Nitschmann at the

フェルトメーキング工房　インターン募集

JAPAN, Kyoto: JoiRae テキスタイルズ

JOIRAEテキスタイルズ、京都伏見、ではインターンを募集しています。

Tangible Knowledge: Japan’s Shōsōin and the Making of Manuscripts, Treasures, and Archives

USA, NJ: Princeton University
Mar 1 (Sat) - Mar 2 (Sun), 2025

The Center for Culture, Society and Religion will be hosting the two-day conference titled “Tangible Knowledge: Japan’s Shōsōin and the Making of Manuscripts, Treasures, and